A Brief History of PTW

Per­form­ing the World (PTW) was born in a con­ver­sa­tion between East Side Insti­tute co-founder, the late Fred New­man, and me at the end of the sum­mer of 2000. We had already “dis­cov­ered” per­for­mance, and its essen­tial role in human devel­op­ment and learn­ing was key to the ther­a­peu­tic, edu­ca­tional and community-organizing work of the East Side Insti­tute and its broader com­mu­nity. At the same time, New­man and I were also hav­ing con­ver­sa­tions with Ken and Mary Ger­gen, lead­ing social-constructionist psy­chol­o­gists who them­selves were turn­ing toward per­for­mance, par­tic­u­larly by exper­i­ment­ing with new per­for­ma­tory modes of pre­sent­ing research and schol­ar­ship. Dur­ing the 1990s at annual meet­ings of the Amer­i­can Psy­cho­log­i­cal Asso­ci­a­tion, we and the Ger­gens did some joint per­for­ma­tory sym­posia and Newman’s orig­i­nal “psy­chol­ogy plays” were performed—all to great enthu­si­asm. We were encour­aged, and wanted to do some­thing big­ger and of our own structure.

My inter­na­tional trav­els had intro­duced me to many dif­fer­ent per­for­ma­tory prac­tices ini­ti­ated at both the grass­roots and from within the uni­ver­si­ties. I met dozens of peo­ple and heard of hun­dreds more who were using per­for­mance to help peo­ple and com­mu­ni­ties grow and cre­ate pos­i­tive social change. We decided to reach out to those doing this work/play—from com­mu­nity orga­niz­ers to busi­ness peo­ple, from artists to social work­ers, from ther­a­pists to teachers.

The first Per­form­ing the World con­fer­ence was held in Octo­ber 2001, just a few weeks after 9/11. Hun­dreds from all over the world showed up at the beau­ti­ful ocean side vil­lage of Mon­tauk, 120 miles from New York City, as if this kind of gath­er­ing was what they and their com­mu­ni­ties needed at such a moment.

There have been five PTWs since then. The last two—in 2008 and 2010—were held in New York City, bring­ing the con­fer­ence to one of the most vibrant and diverse cul­tural cen­ters of the world and part­ner­ing with the All Stars Project as co-sponsor. PTW has been greatly enriched by hav­ing the All Stars’ per­form­ing arts and devel­op­ment cen­ter on 42 Street near Times Square as the conference’s home base and by the inclu­sion of hun­dreds of young peo­ple and adults who par­tic­i­pate in its pro­grams. Addi­tion­ally, both the Insti­tute and the All Stars reach out to friends across New York City’s many com­mu­ni­ties to pro­vide hous­ing for PTW par­tic­i­pants and broaden the “per­for­mance space.” I am inspired by the growth of the global per­for­mance move­ment and the role that PTW is play­ing in it, as not only a conference/performance fes­ti­val but also a unique com­mu­nity event bring­ing peo­ple together to per­form a new world.

Lois Holz­man

To read more from Lois Holz­man, direc­tor of the East Side Insti­tute and PTW’s chief orga­nizer, read her blog loisholzman.org and down­load her papers from the East Side Insti­tute library.

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